The other day I spoke with a relatively new screenwriter. He told me he’s written about seven screenplays so far—none of which have gotten any traction. As we talked, I asked him: “How many drafts do you usually write before you consider a script ready to submit?”
His answer floored me. “Two, maybe three drafts,” he said.
Only three drafts for a screenplay? I couldn’t hide my surprise. He turned the question back on me: “How many drafts do you do?”
I told him I don’t keep exact numbers, but it’s always in the double digits. That piqued his interest, so I walked him through my process.
First, I get the initial draft down as quickly as possible. I’m not aiming for perfection—I just want the ideas on the page and the story locked in, knowing full well things will change. (I also stressed how important outlines are. Whether it’s a couple of pages or, in my case, 20-plus, you need one.)
Once that first draft is done, I go at it with a red pen. I cut unnecessary dialogue, description, and plot points. I strengthen weak ones. Then I repeat the process, draft after draft, until I’m no longer bleeding ink across the pages.
On average, I’ll do anywhere from 15 to 25 passes, depending on the complexity of the script.
So when he said three drafts? As Vizzini declared in The Princess Bride: “Inconceivable!”
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