JUMPIN’ THROUGH HOOPS—AND NOT EVEN GETTING’ PAID FOR IT!
Screenwriters often
voice their frustrations about endless rewrites requested by producers who’ve
shown interest in their work. These aren’t the producers actively developing a
project; they’re the ones who dangle the carrot of potential production. The
term “producer” is used loosely here—many claim the title without the
credentials to back it up. They might be well-intentioned, promising to bring
your script to life on screen, but without tangible results, these promises
don’t pay the bills.
Imagine you have a
script that a producer “loves”—a term you’ll hear often—but insists it needs
more polishing. Eager to please, you dive into revisions, often without
compensation or a guarantee of production. It’s a precarious position, working
on faith that this person can deliver. But who is this “producer”? What’s their
track record? Are they industry veterans or newcomers?
The reality is, this
producer likely has multiple scripts in the pipeline, each at different stages,
hoping one will lead to a production deal. Whether yours will be the chosen one
is uncertain. But being considered is a step in the right direction, even if
the path ahead is unclear. It’s a common hurdle in the screenwriting journey,
one that requires patience and a bit of optimism.
The crux of the matter
is compensation for rewrites. It’s unlikely that a producer expressing interest
is paying you for these revisions, nor is it probable they’ve formalized the
relationship with an option agreement and meaningful financial commitment.
The notorious dollar
option deal is a red flag. It’s a token gesture where a producer offers a
nominal sum to legally option your script, often just enough to buy a coffee.
This should prompt caution; if a producer truly believes in your work, they
should be willing to invest more substantially.
The amount that
constitutes “substantial” varies, but it’s a measure of the producer’s
commitment. A genuine producer will put their money where their mouth is,
providing some financial assurance of their intentions.
Beware of the chummy
facade some producers may adopt. While they may sing your praises during the
option period, their tune often changes if they fail to advance your script.
Remember, in Hollywood, business relationships often masquerade as friendships.
It’s a tough industry, so navigate with caution and keep your wits about you.
There are indeed sharks in these waters.
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